Aemilia Moser is a Toronto-based coloratura soprano and violinist specializing in contemporary and Baroque repertoire. She has performed a wide range of principal and supporting roles across diverse styles, from Schoenberg’s Pierrot Lunaire to Massenet’s Cendrillon. Her operatic and musical theatre repertoire includes Pierrot (Pierrot Lunaire), Ariel (The Tempest Songbook), Nora (Riders to the Sea), Nymph (The Fairy Queen), La Fée (Cendrillon), La Modista and Minardi (Il capello di paglia di Firenze), Virtù (L’incoronazione di Poppea), and Despina (Così fan tutte) Maureen (RENT) and Ilse (Spring Awakening).

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Equally at home on the concert and recital stage, Aemilia has appeared as a soloist in works such as Michael Daugherty’s Labyrinth of Love, Abigail Richardson-Schulte’s Alligator Pie, Bach’s St. Matthew Passion, Handel’s Messiah, and Mozart’s Exsultate jubilate. In 2024, she was named a finalist for the Norcop Prize in Song, and this year has been  selected as a finalist in the Eckhardt-Gramatté National Music Competition, presenting an hour-long recital of contemporary Canadian repertoire.

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Aemilia also brings a deep passion for modern design into her artistic practice. In 2023 she produced a short film titled Sovra il sento, in partnership with Manitoba Opera and vintage clothing boutique Swish Vintage. This year, she is partnering with Toronto-based fashion designer SampleGarments to create an hour-long contemporary recital featuring a wearable art look designed specifically for the performance. 

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Aemilia holds a masters degree from the University of Toronto. Current and previous teachers include Tracy Dahl, Steven Leigh, Elizabeth McDonald, Robert Uchida, Mel Braun, and Elizabeth Turnbull. Aemilia currently works at the Royal Conservatory of Music in Toronto.